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The Unbroken Circle

~ The Songs and the Artists That Shaped the Music of the Allman Brothers Band

The Unbroken Circle

Tag Archives: The Unbroken Circle

Rest in Peace Mrs. Annye Anderson

14 Monday Jul 2025

Posted by Brennan Carley in Interview

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Allman Brothers Band, Come on in My Kitchen, Robert Johnson, The Unbroken Circle

I just learned, courtesy of Preston Lauterbach*  (https://thechitlincircuit.substack.com/p/rest-mrs-annye-c-anderson) that Mrs. Annye Anderson passed away July 3. Annye Anderson was the sister of Robert Johnson (technically his step-sister, but ignoring biology she was very much his sister.)

Two years ago, I was fortunate to have the opportunity to speak with Mrs. Anderson. Some of the nuggets from that conversation will feature in the chapter on “Come on In My Kitchen.”  She was generous with her time, charming to speak with, sharp as a tack, and for someone who at the time was 97 years old, possessed of an amazingly clear memory. In some ways speaking to her was like speaking with a ghost; She was born April 20, 1926, in Memphis, and recalled growing up in Jim Crow era Tennessee, attending segregated schools in the 1930s. But while she grew up poor and with all the challenges that came with being a black woman in the pre-civil rights south, Mrs. Anderson went on to earn a Masters degree from Boston University, work for a judge (Arthur Garrity who famously issuing the 1974 order mandating that Boston schools be desegregated), and teach in the Boston school system. She talked about the importance of phonics and a good thesaurus, her love of gardening, especially her collard greens and kale spinach. And she shared her views on music and musicians (she liked Johnny Cash but “didn’t care too much for Bob Dylan.”) And of course she spoke about Robert Johnson, his musical influences, and the music he played on the porch of their house in Memphis.

After 99 years, Annye Anderson has gone to join her Brother Robert. I am honored to have been able to meet her.

Her full obituary here: https://www.legacy.com/us/obituaries/franklincountynow/name/annye-anderson-obituary?id=58848004

Rest in peace Mrs. Anderson.

* I highly recommend Preston’s books, especially “The Chitlin’ Circuit: And the Road to Rock ‘n’ Roll”, “Before Elvis: The African American Musicians Who Made the King”, and “Brother Robert” (co-authored with Annye Anderson), all of which have been valuable sources for the book I am writing on the origins of the music recorded by the Allman Brothers Band. Preston was also kind enough to connect me to Mrs. Anderson.

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Billy Boy Arnold – Part 3: On John Lee Curtis “Sonny Boy” Williamson, the Importance of Originality, and Making Good Use of Studio Time

25 Friday Nov 2016

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Allman Brothers Band, B.B King, Billy Boy Arnold, Bo Diddley, Good Morning Schoolgirl, Jimmy Reed, John Lee Curtis "Sonny Boy" Williamson, Junior Wells, Leonard Chess, Little Walter, Muddy Waters, The Unbroken Circle, The Yardbirds, Willie Dixon

I recently interviewed Billy Boy Arnold following a show at New York City’s City Winery. This is the third and final part of that interview (see part 1 and part 2.) As a solo artist Billy Boy recorded “I Wish You Would” and “I Ain’t Got You” which were famously covered by the Yardbirds. (Bo Diddley’s “She’s Fine, She’s Mine” with Billy Boy blowing his harp was the first recording of the song that became “You Don’t Love Me,” recorded as an extended jam by the Allman Brothers and forming the entire second side of “At Fillmore East.” That story will be in the book The Unbroken Circle.)

Early blues musicians frequently recycled music and “floating verses.” That began to change in the 1920’s when record companies began recording the blues and valued originality. Billy Boy Arnold learned from some of the greatest blues artists ever, and in a recent conversation he talked about his influences and originality in the blues.

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Five Minutes Turns Into Thirty With Butch Trucks

20 Sunday Nov 2016

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Allman Brothers Band, Berry Oakley, Butch Trucks, Duane Allman, Gregg Allman, Jaimoe, Jesse Ed Davis, Ry Cooder, Statesboro Blues, Taj Mahal, The Unbroken Circle, Whipping Post

Friday night I caught up with Butch Trucks after his show with his Freight Train Band, at the Tarrytown Music Hall an hour north of the famed Beacon Theater. Butch and the band started the show, as he often does, with the Allman Brothers instrumental “Hot ‘Lanta,” and continued the two hour set with fan favorites including “Trouble No More,” “Jessica,” “Dreams,” and many others. The audience immediately recognized the rumbling bass line when the band returned for an encore that began with a thunderous “Whipping Post” before segueing into “Mountain Jam” and back to conclude the evening. Butch didn’t just play Allman Brothers material though, playing original material from keyboard player Bruce Katz, and treating the audience to a cover of “Highway 61 Revisited.” Butch isn’t known as a singer, but as he said “it’s a Bob Dylan song, so I don’t give a shit!”   After playing “Statesboro Blues,” Butch took a minute out to quiz the audience on the authorship of the song (Blind Willie McTell) and making sure that the audience knew that Jesse Ed Davis (playing for Taj Mahal) was the first to play slide guitar on the song that became the Allman Brothers signature song. Continue reading →

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Billy Boy Arnold – Part 2: How Ellas McDaniel Became Bo Diddley

05 Saturday Nov 2016

Posted by Brennan Carley in Interview

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Allman Brothers Band, Billy Boy Arnold, Bo Diddley, The Unbroken Circle, You Don't Love Me

I recently interviewed Billy Boy Arnold following a show at New York City’s City Winery. This is the second part of that interview. As a solo artist Billy Boy recorded “I Wish You Would” and “I Ain’t Got You” which were famously covered by the Yardbirds.  (Bo Diddley’s “She’s Fine, She’s Mine” with Billy Boy blowing his harp was the first recording of the song that became “You Don’t Love Me,” recorded as an extended jam by the Allman Brothers and forming the entire second side of “At Fillmore East.”  That story will be in the book The Unbroken Circle.)

There have been many stories told about how Ellas McDaniel became Bo Diddley, including theories that the name derives from the Diddley Bow (essentially a one string guitar, typically a single wire attached to the side of a sharecroppers cabin in the Mississippi Delta.)

Billy Boy was there on the south side of Chicago, and he is very clear on the origins of the name Bo Diddley: Continue reading →

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The Blues and Jazz Side of Dickey Betts, and Other Early Influences of The Allman Brothers Band as Told by Second Coming Member Richard Price

29 Saturday Oct 2016

Posted by Brennan Carley in Interview

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Allman Brothers Band, B.B King, Berry Oakley, Buddy Guy, Cream, Dickey Betts, Howlin' Wolf, Jack Casady, Jeff Beck Group, Jefferson Airplane, Jimi Hendrix, Jimmy Reed, Led Zeppelin, Muddy Waters, Richard Price, Second Coming, The Load, The Unbroken Circle, Willie Dixon

Dickey Betts is usually associated with the country influences on the Allman Brothers Band, and with songwriting contributions such as “Rambling Man” and “Jessica” it is clear that Dickey brought country to the band. Less frequently acknowledged are his blues and jazz influences.

I spoke with Richard Price, bass player for the The Load, and later for Second Coming (the band that contributed both Dickey Betts and Berry Oakley to the Allman Brothers Band), who talked about the early musical influences of the Allman Brothers Band and some of the “Jacksonville Jams” that gave birth to the band.

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Billy Boy Arnold – Part 1: “I Wish You Would,” “I Ain’t Got You,” and Billy Boy’s Relationship with Leonard Chess

22 Saturday Oct 2016

Posted by Brennan Carley in Interview

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Allman Brothers Band, Billy Boy Arnold, Bo Diddley, Eric Clapton, Good Morning Schoolgirl, Jimmy Reed, Leonard Chess, Little Walter, Otis Spann, The Unbroken Circle, The Yardbirds, Willie Dixon, You Don't Love Me

A few weeks ago I was at the City Winery in New York City, watching Phil and Dave Alvin perform a set of acoustic blues, when they brought out Chicago harmonica player Billy Boy Arnold, harmonica player for Bo Diddley.  As a solo artist Billy Boy recorded “I Wish You Would” and “I Ain’t Got You” which were famously covered by the Yardbirds.  (Bo Diddley’s “She’s Fine, She’s Mine” with Billy Boy blowing his harp was the first recording of the song that became “You Don’t Love Me,” recorded as an extended jam by the Allman Brothers and forming the entire second side of “At Fillmore East.”  That story will be in the book The Unbroken Circle.)

After the show I caught up with Billy, who has clear memories of his recordings in the 1950’s, just as the blues and R&B were giving birth to rock and roll.  Billy has a lot of great memories; today’s post will focus on Billy’s most influential recordings and his relationship with Leonard Chess.

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Bob Koester Talks About the Legendary “Hoodoo Man Blues”

12 Monday Sep 2016

Posted by Brennan Carley in Interview

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Allman Brothers Band, Bob Koester, Buddy Guy, Good Morning Schoolgirl, Junior Wells, The Unbroken Circle, You Don't Love Me

In 1965 Bob Koester and Delmark Records recorded Junior Wells debut album, the legendary “Hoodoo Man Blues.” Featuring Junior Wells on harmonica and vocals and Buddy Guy (billed as “Friendly Chap”) on guitar and vocals, with the rhythm section of Jack Myers playing bass, and Bill Warren on drums, “Hoodoo Man Blues” is considered one of the greatest blues records ever.

In a recent interview Bob Koester, credited as producer for the album, shared his secret for recording the blues:

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Words of Wisdom from Blues Legend Taj Mahal

21 Sunday Aug 2016

Posted by Brennan Carley in Interview

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Jesse Ed Davis, Rising Sons, Ry Cooder, Statesboro Blues, Taj Mahal, The Unbroken Circle

I was about to board a ferry boat for a family vacation when my cell phone rang. I wasn’t expecting a call, but I answered.

“Hey man, this is Taj!”

Yes, it was the one and only legendary Taj Mahal, winner of multiple Grammy awards, member of the Blues Hall of Fame, and the man who introduced Duane Allman to a song that would become the Allman Brothers’s signature song, “Statesboro Blues” (the song on which Duane learned to play slide guitar.)

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Recent Posts

  • Rest in Peace Mrs. Annye Anderson
  • Interview: Chuck Leavell Discusses New Album, Live Dates, Upcoming Tour With Mike Mills
  • Devon Allman, Chuck Leavell Discuss Songs On Allman Betts Band’s New Album, Honoring The Allman Brothers, More…
  • Scott Sharrard & Chank Middleton Discuss The Gregg Allman Band, Upcoming City Winery Shows
  • I Live The Life I Love – Gregg Covers Muddy

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Allman Brothers Band Art Edmaiston B.B King Berry Oakley Billy Boy Arnold Bobby Allende Bob Dylan Bob Koester Bo Diddley Brett Bass Brothers of the Road Buddy Guy Butch Trucks Chank Middleton Chuck Leavell Cream Danny Toler Dan Toler David Goldflies Dickey Betts Don Was Duane Allman Enlightened Rogues Eric Clapton Francis Clay Frankie Toler Freddie King Gary Allman Good Morning Schoolgirl Gregg Allman Howlin' Wolf Hubert Sumlin Interview Jack Casady Jackson Browne Jaimoe Jay Collins Jeff Beck Group Jefferson Airplane Jesse Ed Davis Jimi Hendrix Jimmy Reed John Lee Curtis "Sonny Boy" Williamson Johnny Jenkins Johnny Neel Junior Wells Led Zeppelin Leonard Chess Little Walter Lowell George Marc Franklin Marc Quinones Muddy Waters Oteil Burbridge Otis Spann Pat Hare Peter Levin Reach for the Sky Richard Price Rising Sons Ron Johnson Rook Goldflies Ry Cooder Scott Sharrard Second Coming Statesboro Blues Steve Potts Taj Mahal The Load The Unbroken Circle The Yardbirds Tim Buckley Whipping Post Willie Dixon You Don't Love Me

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